I honestly don’t remember much around the origins of one of my other blogs, The Schizophrenia Diaries. It was summer 2020 (and let’s face it—who has a great memory of summer 2020?). I wasn’t yet back on antipsychotics (by weeks to months), I was facing a pandemic, a world on fire, the recent death of my grandmother, and the one year anniversary of discovering my father’s death (leading to PTSD). I was mostly lost in a creative haze, spending hours every day on the swingset at the nearest park in heat over 110*F—dissociatively daydreaming up new plotlines with a song on repeat—or curled up in the fetal position on the floor in my office, near catatonic and hallucinating. It was A Time.
However, it was one of the most prolific periods of my life. After spending most of a year after my father’s death pouring emotions into Contrivance, my primary fiction project of almost a decade, instead of sleeping at night, I was (mostly) taking a break from Contrivance’s dystopian doom and gloom that now seemed all too realistic, focusing on what I thought would be a quick, simple side project to perk me up, which eventually became the I’ll Give You series, my first real foray into erotica, which now has four books published and more in the works (spoiler alert: not a quick, simple, or always cheery side project after all).
And, I started The Schizophrenia Diaries, after having casually maintained a different blog for about a year. My first post wasn’t about writing or creativity at all. It was about Farrah, my so called schizophrenia tamagotchi, my recurring golden retriever puppy hallucination, who had recently come about. From there, I wrote about all manner of mental health related things for about six months, essays as ideas came up, then floundered a little on what to do with the blog. I was back on meds, and out of therapy. Vaccines were on the horizon. The election was over. I’d recently gotten married and published my first book. Things were good, and while I was grateful, I wasn’t sure what to write about now; without acute symptoms to reflect on, I got a little lost. Things on the blog slowed down, and I didn’t make a post in 2021 until mid April.
I had thought about it in the meantime. I didn’t really want to abandon the blog. Schizophrenia is highly stigmatized and misunderstood. Stories of schizophrenics are rarely told at all, and even more rarely do we get to tell our stories ourselves. I felt it was important—part of something bigger than me—to write on it. But, the blog was neglected when I was doing well, which gave me mixed feelings on it, and I wasn’t sure what I had left to say. I thought that maybe I needed more of a theme, an angle, something to ground the project besides processing symptoms as they arose.
I reread some early posts on the blog. What grabbed me was my last post before things really slowed down, a September post before two more that December and then silence for four months. It was about psychosis as a part of my writing process, how my schizophrenia and my colloquial tortured artist syndrome intertwined, about how my psychotic daydreams fueled my writing, how the darkness of the things I tended to write about both contradicted my triggers and calmed me down, and so on.
That. That was my angle. Because even when my symptoms improved, they were still there—and the most cohesive way I could talk about them was through how they impacted my creative processes. No matter what, I was always writing. I always had that to talk about.
With reframing and revising, things picked up on the blog again, even as my mental health has largely been okay.
That said, The Schizophrenia Diaries is my home base for talking about psychosis and creativity, art, writing.
But what about psychosis and productivity?
I mentioned that one of the worst time periods in my life as far as symptoms was also one of my most prolific—how does that work?
There’s definitely a balance.
After having made it without meds for about two years, when I started again, the first night I took Seroquel—well, firstly, it knocked me out so unexpectedly hard and fast I fell out of my chair at my desk—the change was immediate. For a few days, I was basically symptom free. It was almost like I didn’t have schizophrenia, overnight. I realized how bad my sleep had been—which didn’t help anything. It had been so bad, I realized, as Seroquel knocked me out at night, I wondered if I could chalk almost everything that year up to sleep deprivation, the miracle of Seroquel to the miracle of sleep, more than its use as an antipsychotic.
But during those few days, I felt… conflicted.
When Farrah—the dog who’s not real, mind you—found out—when I decided—that I was likely going back on meds, she worked those puppy dog eyes real hard. Why would you want to get rid of me, Mom? I tried to telepathically communicate to her that as far as I was concerned, I was happy to keep her, if I could get rid of the corpse and the blaring music and the black blobs and the flashes of light and the white noise and the maggots and all of the other issues. Later, I came to realize that Farrah—this is my current working theory, at least—represents the part of my mind that wants to be psychotic, freely creative without the limits of pesky reality.
During those first few days after Seroquel, I felt… a little empty. Numbed. Better than I had in months, maybe a year, in certain ways, but… something was missing. My daydreams were missing, my fiction fuel—they were back in the normal human range. It was like watching a movie on a decades old television versus watching it in IMAX 3D. I couldn’t get reality to go away entirely even when I tried—and normally, I didn’t have to try; in fact, normally, I had to fight to get back when my alarm went off telling me it was time to make dinner or something, nudging me out of daydreams.
Despite how well I seemed to be doing, I wondered if I might lower the dosage.
But, my body quickly adjusted. A few days later, I could sink into my daydreams that deeply again, but I had some more control over starting, and I didn’t have to fight quite as hard to stop. Other symptoms stayed improved but didn’t vanish. And, not lost in the daydream stage forever, it was easier to get out when I wanted, to grab a pen, and start putting daydreams on paper. But things can get pretty bad—lots and lots of time lost in fantasy on the verge of hallucination, not quite in my control—before I stop getting to the part where I write them down. After meds, I was overall less prolific, except for a few really, really bad parts of that prior year or so.
However, that was just about writing. I thrived in other areas like I never had before, where psychosis was mostly a burden. It’s not much of an advantage as far as being a housewife, a landlord, a butler school student, an alternative sexuality educator, a group organizer, or even a nonfiction writer (overall, my blogging writing has picked up since). In fact, those last three non writing areas were all things I seriously picked up within a year after meds for the first time. I found more balance. I wrote a little less (we’re still talking frequently upwards of 25,000 words per month), but I did everything else that was productive a little more, more than enough to fill the gap.
I see this psychosis equals creativity but lack of balance thing in my past, too. My schizophrenia was early onset. My symptoms first appeared around my fifteenth birthday, mid ninth grade. I was producing writing like crazy—even winning multiple rounds of National Novel Writing Month per year (this means writing upwards of 50,000 words in a month—many times, I got closer to 100k). However, school wasn’t going so well. I dropped out before the end of tenth grade. Now, I see why I was writing fiction like crazy while failing to turn in five-hundred word essays that weren’t word salad gibberish, or be non catatonic long enough to show up to class, or finish taking a test without yelling at demons only I could see.
So are there pros to schizophrenia for productivity, for me, as a fiction author? Yes. In other areas? Less so that I see right now, though I frequently joke that my general, various anxious neuroses are the edge that keeps me moving so quickly, lest I die tomorrow. Are there cons? Of course. Many. Still, I wouldn’t quite hit the cure button, for myself.
It’s just, as many other things are, about balance.